The work of Judy Youngblood

Color etching with aquatint, soft ground, white ground, and lift ground printed on paper Image 16 x 21 inches Sheet 21 x 26 inches 2017

Linocut with dry pigment on paper 40 x 28 inches 2007

Pencil and gouache on paper. 6 ½ x 4 ¾. 2018.

Pencil, charcoal and acrylic paint on paper laid down on panel. 18 x 22. 2019.

Artist’s Statement

My work explores the passing of time and the tension between the human longing for reassuring repetition and — at the same time — change. I am particularly interested in our human ability to see what we expect to see, to misinterpret, to see a partial picture as the whole, to disregard incremental change, or to completely overlook the significant.
My current artwork uses the lines and patterns from daily weather maps and images of weather — rain, snow, clouds, hail — as visual metaphors for these ideas. It explores the constancy, variation, and violence hidden within the familiar, reassuring seasonal cycle. I also use images of oceans — stormy, placid, or dramatic — as visual reflections of human moods and emotions.
Like a human life, my artwork is multi-layered, complex, and develops over time. Color, texture, humor, and the physical joy of applying paint and cutting relief prints are important in the creation of my work. In the process of creating a piece, I begin working on an idea with a loosely drawn skeleton. I add layers of paint and drawing, building up layers of meanings and emphasis to create a finished piece that is dense with meaning.
My installations, which are constructed with relief-printed images on paper applied to walls, floors, and ceilings, surround the viewers with visual representations of change, movement, and repetition. They directly address change and the passage of time by surrounding the viewer with moving storms, slow drips, changing clouds, and moving hail, snow, wind, and rain.

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